Paul Schenk (Amsterdam, 1970)

Visual artist, songwriter, animator and multi-instrumentalist.
Education: HKU University of the Arts, Utrecht (1990-1995).

My work is a combination of absurdistic storytelling and exploring border areas in music composition and atmosphere, inspired by science, psychology and philosophy.
Through the years I have been telling stories in all kinds of disciplines, first as a comic artist and graphic novelist, later on as a commercial animator and visual artist, while in music my storytelling always has been apparent in small stories being told in song-lyrics, some sung and some spoken.

Music composition
Composing music began at the age of 8 when I started to compose classical music in my head. At the age of 10 I wrote my first song and performed it for live audience.

For me, songwriting and music composition always means just listening to the sounds in my head: I continuously hear these sounds, from little shreds of music to completely finished own compositions, from simple popsongs to complicated classical orchestra’s: The music composes itself, it’s just there. I just write down the notes of the music that has developed in my head. So besides writing lyrics, I do absolutely nothing. It’s the purest form of intuïtion, an almost buddhistic approach.

Being in the popular band I Love Lucy belongs to my best years in music so far. These four years (1992-1996) turned out to be my 15 minutes of fame: Doing the lead vocals, playing the contrabass and writing happy, extremely bizarre lyrics about genius cats winning prizes on TV-shows, the head of Donald Duck being served as a delicatesse and the absolute fact that ‘I am the man with the perfect sausage’…

In 1997 I quit recording music because of commercial activities, but in 2009 I returned to songwriting and began to record music again.

Telling stories is a passion that also started at the age of 8: Writing stories, poems, plays and comics. I became a comic artist because in comics I was able to combine my drawing skills with storytelling and I continued doing this for 20 years. I wrote and drew numerous long stories that were full of humor, all published in magazines and books but the strange thing is, I have never been a very big fan of comic books. Although I worshipped my Gods and inspirators Carl Barks, Marcel Gotlib and Robert Crumb, I was more inspired by art, film and literature than comics. My primary motive has always been to tell stories, not to draw pictures.
During the nineties my comic book-style became very underground and avantgarde. Rebelling against the mainstream comic world, my opinion was that comic artists were just illustrators and no story tellers; I pleaded for a more intellectual approach with graphic novels that could really compete with literature.

The last graphic novel I made was Magnum Opus, a story very much inspired by Louis-Ferdinand Céline, Michelangelo Antonioni and Georges Bataille: So a writer, a filmmaker and a philosopher, but not inspired by any comic artist at all which was a very meaningful thing. After this I quit making comic stories and graphic novels.
My stories were continued in commercial activities in which my background as a comic artist were clearly visible: Making animations for large advertisement campaigns, working together with advertising agencies, and making commercial live cartoons.

In 2019 I released my animation project INFORG, my first non-commercial art project in more than 10 years.


  • 1987 – 1988: Co-founder, editor and comic artist at Dutch underground comic magazine Acropolis
  • 1988 – 1996: Comics published in Dutch magazines: Gag, Striptuur, Incognito, Stripkrant, Utrechts Nieuwsblad
  • 1992: Music film Abraham’s chocoladetaartje – 2nd Prize Utrecht Videofestival 1992 awarded by Heiner Holtappels
  • 1992 – 1995: Graphic novel Bindoesara – Published under the name of Plaagpark by Dutch publisher Xtra, 2008
  • 1992 – 1996: Singer, contrabassplayer and songwriter of prog rock band I Love Lucy 
  • 1994: I Love Lucy winner 2nd Prize at Kleine Prijs van Utrecht / Utrecht Popprijs 1994
  • 1995 – 1999: Graphic novel Magnum Opus
  • 1997: Co-founder of caricaturist company Gezellig & Leuk
  • 1997 – 2000: Caricaturist at Gezellig & Leuk: Caricaturist performances at events
  • 2000 – 2001: Co-founder of animator’s company Animation Factory Amsterdam
  • 2000 – 2004: Animator, internet animation campaigns for advertising agencies (Advance Interactive, TwinEarth)
  • 2004 – 2008: Gallery owner of Art Gallery RAAR in Amsterdam, organizing exhibitions of Dutch and American artists
  • 2004 – 2009: Painter, exhibitions at RAAR Art Gallery, Kunstvlaai, Post-CS Amsterdam, Stedelijk Museum Amsterdam
  • 2008 – 2009: Living and working in Berlin as a painter
  • 2009 – 2011: Graphic novel Magnum Opus 2
  • 2014: Founder of live cartoonists company & agency Cartoonist Live
  • 2014 – now: Live cartoonist at Cartoonist Live: Live cartoonist performances at business meetings
  • 2016 – 2019: Music animation film INFORG
  • 2017: Inktspotprijs nomination 2017
  • 2019: INFORG wins Best Animation award at ARFF Film Festival Paris (pre-selection)
  • 2020: INFORG Semi-Finalist at ARFF Film Festival Paris
  • 2020: INFORG selected for Soundscreen Film Festival Ravenna, Italy


Copyright Paul Schenk 2019 - Music protected by Buma/Stemra